opening, 5-8 pm, Thursday, 03 November.
The show remains up until 17 December.
Zeitgeist Gallery | 1819 21st Avenue South | Nashville, TN
“My illustrated version of Paris France by Gertrude Stein appeared in the Seeing Gertrude Stein Five Stories exhibit
at San Francisco’s Contemporary Jewish Museum and will now move to Washington, DC, to appear in Insight and Identity,
Contemporary Artists and Gertrude Stein, at Stanford-in-Washington.” Ward Schumaker via email.
Seeing Gertrude Stien Five Stories
I love my wifey so completely
Oh so completely, and she is
To have a lovely cow a real
Cow splash goes the cow now,
Splash splash splash lovely
Baby smelly cow comes out of
Baby anyhow now
As both artist and activist, Nancy Spero’s career spanned fifty years. She was renowned for her continuous engagement with contemporary political, social, and cultural concerns. Spero chronicled wars and apocalyptic violence as well as articulating visions of ecstatic rebirth and the celebratory cycles of life.
The book opens with an extended discussion of Diego Velázquez’s painting Las Meninas and its complex arrangement of sightlines, hiddenness, and appearance. Then it develops its central claim: that all periods of history have possessed certain underlying conditions of truth that constituted what was acceptable as, for example, scientific discourse. Foucault argues that these conditions of discourse have changed over time, from one period’s episteme to another. Jean Piaget, in Structuralism,[1] compared Foucault’s episteme to Thomas Kuhn’s notion of a paradigm. Foucault demonstrates the parallelisms in the development of three fields: linguistics, biology, and economics.
These were culled from a variety of French philosopher Michel Foucault’s works – from the early “Madness and Civilization” (1965) through the last two published volumes of “The History of Sexuality” (1985-1986) – and some key essays …
In order:
1. Michel Foucault, cover illustration for Alan Sheridan’s ‘The Will To Truth’;
2. The Ship of Fools (‘Madness and Civilization’)
3. Marquis de Sade, by Man Ray (‘The Order of Things’)
4. ‘Las Meninas’, by Velazquez (‘The Order of Things’)
5. Friedrich Nietzsche, by Munch (‘Nietzsche, Genealogy, History’)
6. Don Quixote, by Picasso (‘The Order of Things’)
7. Jeremy Bentham’s Panopticon (‘Discipline and Punish’)
8. Jeremy Bentham (‘Discipline and Punish’)
9. Philippe Pinel (‘Madness and Civilization’)
10. Friedrich Hoelderlin (‘The Father’s “No” ‘)
11. David Ricardo (‘The Order of Things’)
12. Georges Bataille {‘Preface to Transgression’)
13. Jorge Luis Borges (‘The Order of Things’) (continue below)
(see more from youtube comment)
Michel Foucault sings his philosophy through a surreal collage landscape. The film is from a series of mini-musicals based on the works of the great philosophers.
You mentioned that you’d advise students to prepare for the “long haul”–how have you sustained your work through the years?
One rule I set for myself right early on was that I should not be dependent on the vagaries of the art market. It has given me a degree of independence. I wouldn’t have dared doing certain things without that. Teaching has given me the economic base one needs. But it’s not only for the money. I enjoy teaching. I learn a lot from students.
Trickle Up
Haacke’s interest in real-time systems propelled him into his criticism of social and political systems.[2] In most of his work after the late 1960s, Haacke focused on the art world and the system of exchange between museums and corporations and corporate leaders; he often underlines its effects in site-specific ways. (wiki)
This letter of solidarity, signed over by 50 intellectuals and activists in China, was posted to Utopia yesterday. Thanks to everyone for the translation and editing work!
He steered the discussion away from the Cold War debate between communism and capitalism, noting that former communists, particularly in China, “are today the most efficient, brutal capitalists.”
The communist revolution “failed absolutely,” he said, suggesting that “the only way we are communist is that we care about the commons,” citing the environment as an example.
Forrest Bess (October 5, 1911 – November 10, 1977) Painter, fisherman, visionary, eccentric – Forrest Bess was one of the most original American artists of his generation
Bess showed at Betty Parsons Gallery in New York City, along with artists like Jackson Pollock and Mark Rothko. In the 1950s, he also began a life-long correspondence with art professor and author Meyer Schapiro, and sexologist John Money
Bess makes it clear that his paintings were only part of a grander theory, based on alchemy, the philosophy of Carl Jung, and the rituals of Australian aborigines, which proposed that becoming a hermaphrodite was the key to immortality. In 1960, Bess operated on himself to become a pseudo-hermaphrodite. This physical manifestation of his theory never achieved the results he had hoped for and, ironically, this quest for immortality was the beginning of a slow decline in both his health and his creative output
His letter
October 5 birthday
Denis Diderot + Lumiere (previous post -L’espirit de France )
On being brothers
There was an inherent competition and inherent admiration—both, you know. It was fragile … except that we knew our lives sort of depended on each other. His wife, Lisa, was an absolute marvel. We all four were very close.
And the secret to their success …
I do think it was something we learned from each other. [A beat.] I just don’t know what.
Update Arthur Penn died a day after his birthday Sept 28, 2010.. Obit from Vanity Fair
I’m interested in demonstrating the folly of duality; I’m deliberately toying with that thing about figure/ground, which is which. The ground being the way we set up what we think reality is, the warp and woof of how we see our situation. The paintings are not constricted or rigidly mathematical; it’s like the fiction of our perception is ready to fall apart, the whole grid is ready to collapse, or change.