The Tokyo native who later moved to New York began her convention-defying career in Japanese advertising but eventually expanded it to include design work for Broadway, the movies and Cirque du Soleil.
Eiko Ishioka
石岡 瑛子, Ishioka Eiko, July 12, 1939, Tokyo – January 21, 2012, Tokyo
In a career marked by great versatility, Ishioka won a Grammy Award in 1986 for best album package as art director for Miles Davis’ “Tutu.”
Her sets and costumes for David Henry Hwang’s Broadway play “M. Butterfly” earned her two Tony Award nominations in 1988.
When Tilda Swinton first discovered Virginia Woolf’s ‘Orlando’, she embraced it as a practical guide to living. Fifteen years later she played the gender-hopping hero on screen. Now, as a new edition is published, the actress maps the obsessions behind Woolf’s revolutionary novel
She was an accident, born to a fourteen-year-old black girl in Depression-era Los Angeles. She never knew her father, but thought that he might have been the famous white pool player, Rudolf “Minnesota Fats” Wanderone, whom she met in the nineteen-eighties.
On why Jim Jarmusch dedicated “Broken Flowers” to Jean Eustache.
There’s something in him that I want to carry in myself: making a film the way you choose to make it, true to yourself without being concerned with the marketplace or anyone’s expectations – just the pure spirit of wanting to express something in your own style. That’s very important to me.(via)
Jim Jarmusch is working on a new film – a vampire movie no less! – featuring Tilda Swinton, Mia Wasikowska and John Hurt, to be shot in Germany, Morocco and Detroit in early 2012. (wiki)
Not dead, no broken flowers, no stranger in paradise.. mystery train? maybe..
definetely coffee and cigarattes..and let’s spend a night on earth driving taxis all over the world.
The Museum of Contemp. Art Tokyo (MOT) shows his work in a separate room, a smart gesture. (Thanks to Mario A )
Buildings Poking Their Eyes Out
1997 2’ x 16’ x 5’
A: One Eye Out, B: Two Eyes Out, C: Four Eyes Out
Corrugated fiberglass, rolled galvanized metal, wax, fiberboard, pigments
Photo: Erma Estwick
Dennis Oppenheim (Previous post has many links to interviews, his bio etc)
Jan Groover, whose relentlessly formal still lifes of mundane objects brought a sense of Renaissance stateliness to postmodern photography, died on Jan. 1 in Montpon-Ménestérol, France, where she had lived since 1991. She was 68.
Using a variety of camera formats to affect perception and plane, Jan Groover creates complex, abstract spatial arrangements in her still-life, portrait, and landscape photography. Her images demonstrate her craftsmanship in the darkroom with their finely-wrought delicacy. A painter by training, Groover makes reference to art history in her photographs, from Renaissance perspective drawings to Cezanne’s tabletops.
His work is based on the ethics of the Other or, in Levinas’ terms, on “ethics as first philosophy”. For Levinas, the Other is not knowable and cannot be made into an object of the self, as is done by traditional metaphysics
“Eve was a dynamo,” Ms. Meiselas said. “She might have been small and compact, but she was just unbelievably productive and hugely generous.”
She was outspoken, too. “She didn’t hold back in a gang of men. She was very present and encouraging and generous, in a sense — to me as a young woman, but also in a collective spirit.”
Silvana Mangano at MoMa looking at Brancusi, photo by Eve Arnold