{"id":174,"date":"2005-10-14T08:41:16","date_gmt":"2005-10-14T15:41:16","guid":{"rendered":"http:\/\/www.mutanteggplant.com\/vitro-nasu\/2005\/10\/13\/harold-pinter\/"},"modified":"2020-10-17T20:05:44","modified_gmt":"2020-10-18T03:05:44","slug":"harold-pinter","status":"publish","type":"post","link":"https:\/\/www.mutanteggplant.com\/vitro-nasu\/2005\/10\/14\/harold-pinter\/","title":{"rendered":"Harold Pinter &#8211; A Master and a Caretaker"},"content":{"rendered":"<p>\nJust a few days after his <a href=\"http:\/\/3quarksdaily.blogs.com\/3quarksdaily\/2005\/10\/harold_pinter_h.html\">birthday <\/a> Harold Pinter received a Nobel Prize, unlike last year&#8217;s controversial win by Elfriede Jelinek (<a href=\"http:\/\/www.kino.com\/pianoteacher\/\">the Piano Teacher<\/a>), Harold Pinter has been well established in the world of both theater and cinema.<br \/>\nBorn on October 10, 1930, <a href=\"http:\/\/www.haroldpinter.org\/home\/index.shtml\">Pinter <\/a> is a libra\/horse &#8211; <a href=\"http:\/\/www.suzannewhite.com\/newastrology\/LibraHorse.shtml\"> the measured commander<\/a>, his Sun in Libra\/Moon in Taurus &#8211; (same as Steve Reich, F. Scott Fitzgerald and M. Antonioni, charming, cultured, determined, good judgment, and patient.) <\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.mutanteggplant.com\/vitro-nasu\/images\/pinter.jpg\" alt=\"Harold Pinter\" \/><br \/>\nLeft &#8211; Harold Pinter with Frances O&#8217;Conner in Mansfield Park<br \/>\nRight &#8211; an image from a play &#8220;The Caretaker&#8221; &#8211; about the painful power struggles between two brothers and the tramp who comes to stay with them.<\/p>\n<p>&#8220;And you thought his plays were great&#8230;<br \/>\nIn his screenplays Pinter constantly returns to fascism&#8217;s pyschological and historical origins . It is that that makes his movies as significant as his plays and elevates him from the ranks of a master-stylist into an auteur. (More <a href=\"http:\/\/www.guardian.co.uk\/arts\/critic\/feature\/0,1169,804140,00.html\">here) <\/a><\/p>\n<p><a href=\"http:\/\/www.bbc.co.uk\/bbcfour\/pinter\/pinter-servant.shtml\">The Servant<\/a> was Pinter&#8217;s first collaboration with <a href=\"http:\/\/www.sensesofcinema.com\/contents\/directors\/03\/losey.html\">Joseph Losey<\/a>.  The film changed the course of <a href=\"http:\/\/www.mutanteggplant.com\/vitro-nasu\/2020\/03\/28\/dirk-bogarde-directed-by-visconti-in-death-in-venice\/\">Dirk Bogarde<\/a>&#8216;s career, established him as  a magnetic and serious actor. (Salon in this link to Bogarde describes him as a gentlman pervert).<br \/>\nPinter &#8211; Losey teamed up for more memorable films with &#8220;The Accident&#8221; and &#8220;The Go Between&#8221;.<\/p>\n<p>&#8220;He uses language to convey miscommunication and lack of understanding rather than shared comprehension. &#8221; (<a href=\"http:\/\/www.nytimes.com\/2005\/10\/14\/books\/14nobe.html\">from NYTimes<\/a>)<\/p>\n<p>What is <a href=\"http:\/\/www.everything2.com\/index.pl?node_id=1456547\">pinteresque?<\/a><br \/>\n    * The plot must portray the disruption of normal domestic life<br \/>\n    * There must be the feeling that we, the audience, are missing something vital to the complete understanding of the text<br \/>\n    * Dialogue should be written as people often speak it &#8211; it doesn&#8217;t need to directly further the plot, make sense or be witty all the time, it can instead contribute to the atmosphere<br \/>\n    * There must be seemingly random acts of verbal and physical violence<br \/>\nOutside of literary circles the word can be used to describe anything tame or ordinary that&#8217;s said in a particularly violent or threatening way. <\/p>\n<p>Here is one of his poems.<\/p>\n<p>After Lunch<\/p>\n<p>And after noon the well-dressed creatures come<br \/>\nTo sniff among the dead<br \/>\nAnd have their lunch<\/p>\n<p>And all the many well-dressed creatures pluck<br \/>\nThe swollen avocados from the dust<br \/>\nAnd stir the minestrone with stray bones<\/p>\n<p>And after lunch<br \/>\nThey loll and lounge about<br \/>\nDecanting claret in convenient skulls<\/p>\n<p>(Harold Pinter September 2002)<\/p>\n<p>On <a href=\"http:\/\/talkleft.com\/new_archives\/001537.html\">Pinter&#8217;s Poem About War in Iraq<\/a> from Talkleft.<\/p>\n<p>Speaking of poetry, today (Oct 14)was Cummings&#8217;s birthday.<br \/>\nRead his great anti-war <a href=\"http:\/\/www.mutanteggplant.com\/vitro-nasu\/2005\/06\/17\/ee-cummings-tom-sachs\/\">poems here<\/a>, he was a pacifist.<br \/>\ne. e. cummings<br \/>\n10\/14\/1894 &#8211; 9\/3\/1962<br \/>\nAmerican poet<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Just a few days after his birthday Harold Pinter received a Nobel Prize, unlike last year&#8217;s controversial win by Elfriede Jelinek (the Piano Teacher), Harold Pinter has been well established in the world of both theater and cinema. Born on October 10, 1930, Pinter is a libra\/horse &#8211; the measured commander, his Sun in Libra\/Moon &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.mutanteggplant.com\/vitro-nasu\/2005\/10\/14\/harold-pinter\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Harold Pinter &#8211; A Master and a Caretaker&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1,139,17,105],"tags":[],"class_list":["post-174","post","type-post","status-publish","format-standard","hentry","category-cinema","category-culture","category-harold-pinter","category-poetry","category-theater"],"_links":{"self":[{"href":"https:\/\/www.mutanteggplant.com\/vitro-nasu\/wp-json\/wp\/v2\/posts\/174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mutanteggplant.com\/vitro-nasu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mutanteggplant.com\/vitro-nasu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mutanteggplant.com\/vitro-nasu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mutanteggplant.com\/vitro-nasu\/wp-json\/wp\/v2\/comments?post=174"}],"version-history":[{"count":0,"href":"https:\/\/www.mutanteggplant.com\/vitro-nasu\/wp-json\/wp\/v2\/posts\/174\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.mutanteggplant.com\/vitro-nasu\/wp-json\/wp\/v2\/media?parent=174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mutanteggplant.com\/vitro-nasu\/wp-json\/wp\/v2\/categories?post=174"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mutanteggplant.com\/vitro-nasu\/wp-json\/wp\/v2\/tags?post=174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}