{"id":22495,"date":"2013-12-03T20:01:49","date_gmt":"2013-12-04T03:01:49","guid":{"rendered":"http:\/\/www.mutanteggplant.com\/vitro-nasu\/?p=22495"},"modified":"2013-12-03T20:10:16","modified_gmt":"2013-12-04T03:10:16","slug":"hannah-arendt-misapproprates-hilbergs-work-gondry-animates-noam-chomsky","status":"publish","type":"post","link":"https:\/\/www.mutanteggplant.com\/vitro-nasu\/2013\/12\/03\/hannah-arendt-misapproprates-hilbergs-work-gondry-animates-noam-chomsky\/","title":{"rendered":"Hannah Arendt Misappropriates Hilberg’s Work & Gondry Animates Noam Chomsky"},"content":{"rendered":"

Raul Hilberg, the first historian to document<\/a> the banality of Nazi evil, nursed a lifelong grudge against Arendt. who borrowed from and popularized his work without crediting him.<\/p>\n

Hanna Arendt never did the research, she popularized the idea that Nazis were primarily bureaucrats. Here is a book about the man whose research Hanna used without attribution.<\/p><\/blockquote>\n

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Hilberg was not happy either. After toiling for thirteen years on his book, he was being eclipsed by someone who had worked for little more than two years on hers. \u201cWho was I, after all?\u201d Hilberg asked bitterly in his autobiography. \u201cShe, the thinker, and I, the laborer who wrote only a simple report, albeit one which was indispensable once she had exploited it.\u201d<\/p><\/blockquote>\n

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    Hannah and Her Admirers<\/a> by David Rieff (Susan Sontag’s son) <\/p>\n

    Margarethe von Trotta\u2019s biopic of Hannah Arendt is a film about ideas that remains intellectually detached from them.
    \nArendt had relied, by her own admission, on Raul Hilberg\u2019s magisterial history of the Shoah, The Destruction of the European Jews, published in 1961. Most valuable of all to her was Hilberg\u2019s account of the role of the Judenr\u00e4te during the Shoah, and to what degree the leaders of these councils had in effect collaborated in the Jews\u2019 extermination. Her conclusion was that had the Jews been leaderless and unorganized, there would have been chaos and misery, but nowhere near as many as 6 million would have been murdered. It was this position, far more than her thinking about the banality of evil, that had set so much of the official Jewish world against her. And while Hilberg did not agree with her, as he makes clear in a few icy paragraphs of his memoir, The Politics of Memory, he nonetheless defended Arendt publicly during the controversy.<\/p>\n

    It is a film about ideas that remains intellectually detached from them. Despite her immense talent as a director of actors, perhaps with Hannah Arendt von Trotta is not so far from those late Rossellini films after all, and is nowhere near being as diligent or trustworthy.<\/p><\/blockquote>\n

    Barbara Sukowa as Hannah Arendt <\/a><\/p>\n

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    \"\"<\/a>
    \n    Photo via <\/a><\/p>\n

    Democracy Now..<\/a> interviewed Michel Gondry. <\/p>\n

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