At MoMa calendar <\/a> Kazuo Miyagawa<\/a> (Japan Society)<\/p>\n Born in Kyoto on 25 February 1908, he was introduced at the age of 12 to the art of Sumi-e, a style of ink wash painting in which the dilution of the ink and the mastery of the brush allows the artist to obtain every possible shade of grey. Miyagawa would later state that \u201cit was my training in ink wash painting that really taught me how to see.\u201d<\/p><\/blockquote>\n See more AFCinema <\/a><\/p>\n Kenji Mizoguchi <\/a>(on the chair), Miyagawa (behind) and actresses on the set of his film “Street of Shame (Akasen Chitai) <\/p>\n Ayako Wakao Irezumi Floating Weeds Anonymous source Another of Miyagawa’s masterful achievements was on Kon Ichikawa’s Tokyo Olympiad (1965), where he supervised 164 cameramen, who used 234 different lenses to capture the dramatic intensity of competition in extreme close-up.<\/p><\/blockquote>\n![\"1aaMiyagawaYojimbo\"](\"http:\/\/www.mutanteggplant.com\/vitro-nasu\/wp-content\/uploads\/2018\/04\/1aaMiyagawaYojimbo-e1523838137387.png\")
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\nYojimbo -( Kurosawa, cinematography by Kazuo Miyagawa )<\/p>\n<\/a>
\nSansho Dayu (Kenji Mizoguchi, cinematography by Kazuo Miyagawa)<\/p>\n<\/a>
\nUgetsu (Kenji Mizoguchi, cinematography by Kazuo Miyagawa)<\/p>\n
\nKazuo Miyagawa: Japan\u2019s
\nGreatest Cinematographer
\nThrough April 29
\nThe Museum of Modern Art<\/p>\n<\/a><\/p>\n<\/a>
\nwith Michio Kogure..from Sisters of Gion.<\/p>\n<\/a>
\n(Directed by Yasuzo Masumura)
\nMiyagawa filmed Ayako Wakao <\/a> in Ozu’s Floating Weed, Gion’s Sisters. <\/p>\n <\/p>\n<\/a>
\nOzu Yasujiro <\/a> and Kazuo Miyagawa <\/p>\n<\/a><\/p>\n<\/a><\/p>\n