The Guardian – <\/a><\/p>\n Her work is subtle, deliberately anti-dramatic. Her approach goes beyond naturalism and lands somewhere between painful introversion and acute empathy. As such, Certain Women won\u2019t appeal to everyone.<\/p>\n But for those who connect with Reichardt\u2019s approach \u2013 and I count myself among them \u2013 the film is a minor miracle. Based on the writing of Maile Meloy, it is loosely a triptych of stories in which nothing much happens, full of expressive moments in which nothing is said, but which somehow convey an ache of longing or a small stab of triumph. The tales don\u2019t so much intersect as brush against each other. They unfold in the small-town American northwest and feature four women, who each, in their own way, have something of the unvarnished pioneer spirit that fascinated Reichardt in Meek\u2019s Cutoff (2010).<\/p><\/blockquote>\n Found the film from the local library – as Criterion added to it’s collection. <\/a>![\"1aacertain-woman-770x470\"](\"http:\/\/www.mutanteggplant.com\/vitro-nasu\/wp-content\/uploads\/2018\/07\/1aacertain-woman-770x470-e1531864795833.jpg\")
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\nThe disc includes an interview to Todd Haynes<\/strong> who was an executive producer of Certain Women.<\/p>\n