{"id":35127,"date":"2019-10-10T07:08:44","date_gmt":"2019-10-10T14:08:44","guid":{"rendered":"http:\/\/www.mutanteggplant.com\/vitro-nasu\/?p=35127"},"modified":"2019-10-12T18:44:06","modified_gmt":"2019-10-13T01:44:06","slug":"peter-handke-the-nobel-win-the-goalkeepers-fear-of-the-penalty-kick","status":"publish","type":"post","link":"https:\/\/www.mutanteggplant.com\/vitro-nasu\/2019\/10\/10\/peter-handke-the-nobel-win-the-goalkeepers-fear-of-the-penalty-kick\/","title":{"rendered":"Peter Handke , the Nobel Win & the Goalkeeper’s Fear of the Penalty Kick"},"content":{"rendered":"\n
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    \n(    Peter Handke Moravia Night<\/a>) <\/p>\n

    (Peter Handke google image gallery<\/a>)<\/p>\n

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    A Troubling Choice, Authors criticise Peter Handke <\/a><\/p>\n

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    Handke collaborated with director Wim Wenders on a film version of The Goalkeeper’s Fear of the Penalty, wrote the script for Wenders’ The Wrong Move, and co-wrote the screenplay for Wenders’ Wings of Desire and The Beautiful Days of Aranjuez. He has also directed films, including from his own novels, The Left-Handed Woman and The Absence. (wiki)<\/p><\/blockquote>\n

    \"Mario<\/p>\n

    Repost from my previous post on Peter Falk below
    \n    Peter Falk is counterweight to Peter Handke? <\/a><\/p>\n

    Wenders had admired Peter Falk in Cassavetes’ films in the 1970’s, and it was probably from Cassavetes that he obtained Falk’s telephone number. He phoned one evening, introduced himself, told a little about the film and explained that he needed a former angel, to which Peter Falk replied after a pause: “How did you know?” When Falk asked whether a script could be sent, Wenders said that he had nothing at all in writing about this ex-angel, not even a single page. If anything, that apparently made the part even more interesting to Falk, who answered: “Ah, I’ve worked like that before with Cassavetes, and honestly I prefer working without a script.”
    \nFalk arrived in Berlin one Friday in November and he and Wenders spent the weekend together, developing the role on the basis of taped improvisations. All of Falk’s scenes were shot the following week, and Falk returned to Los Angeles.<\/p><\/blockquote>\n

    Peter Falk-les ailes du d\u00e9sir (Wings of Desire)
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