Look Now – The Significance of Nicolas Roeg
Man Who Fell to Earth’ director Nicolas Roeg on sci-fi without ‘buzzes, beeps and bullets’
The World is Ever Changing: Nicolas Roeg on Film-making (youtube)
Nicolas Roeg began as a cameraman, working for such masters as Francois Truffaut and David Lean. His explosive debut as a director with Performance established an approach to film-making that was unconventional and ever-changing, creating works such as Don’t Look Now, The Man Who Fell to Earth, Bad Timing, Insignificance, and, more recently, Puffball.
Happy birthday Nicolas Roeg
Nicolas Roeg: ‘I don’t want to be ahead of my time’
Once audiences make sense of his work, Nicolas Roeg has usually moved on. As the film world rushes to canonize him, he tells Ryan Gilbey about the curse of bad timing
“I’m doing installation pieces and I don’t even want to be credited.” Roeg said.
D. S in Venice 
Don’t Look Now – based on the novel by Daphne du Maurier.
Julie Christie 
Don’t Look Now – a review + interviews here.
In all of his films Nicolas Roeg shows what happens when characters from different cultures intersect. From Performance (gangster meets rock star) to Walkabout (abandoned white children saved by Aborigine on his walkabout) to The Man Who Fell to Earth (alien crashing on Earth needs to return to his home planet) this intersection forms the core dramatic element of his films.