Archive for the 'Dance' Category

Merce Cunningham R.I.P

Monday, July 27th, 2009

annie_leibovitz_merce_cunningham (photo by Annie Leibovitz)
Merce Cunningham( April 16, 1919 – July 26, 2009)

Goodbye Merce and thank you.
About Merce and Merce org. here.

Three clips from Ubuweb including one with John Cage and Nam June Paik.

Perfect Balance Memoir of Cage/Cunningham by Carolyn Browns

For all of her devotion to and love of Cunningham, Brown reveals that of the famed duo, Cunningham was the difficult one, a man often lost within himself, at times almost reclusive, failing to explain his decisions….
Cage, on the other hand, comes across as a generous spirit throughout, a man who loved games, eating (his mushroom-hunting expeditions are renowned), and, most of all, talking. The gregarious Cage, traveling in the early days with the company, was responsible, so Brown suggests, for the feeling that they were, in fact, a company, for the sense of group spirit. Like a loving mother, Cage is always there to help Cunningham get through the ordeals of travel and the horrible pain the body of any dancer must endure.
Cage is presented as a joyful being, seeking everyone’s happiness. Brown writes:

Obit from artbeat blogs NYtimes.

Merce Cunningham, the American choreographer who was among a handful of 20th-century figures to make dance a major art and a major form of theater, died Sunday night. He was 90 and lived in Manhattan.
Mr. Cunningham ranks with Isadora Duncan, Serge Diaghilev, Martha Graham and George Balanchine in making people rethink the essence of dance and choreography, posing a series of “But” and “What if?” questions over a career of nearly seven decades.

Pina Bausch R.I.P

Tuesday, June 30th, 2009

pinabausch-01
Pina Bausch (1940 – 2009) Photo by Peggy Jarrell Kaplan

So shocking, terribly sad.
The Guardian obit

Farewell to Pina Bausch, the dangerous magician of modern dance
Beautiful and strange, tragic yet hopeful, Pina Bausch’s creations entranced the audience. The news of her death is terribly sad – and a challenge for dance-makers

German dance legend Pina Bausch dies at 68

The director of the Wuppertal Tanztheater said Tuesday that Bausch had passed away unexpectedly earlier that morning. The choreographer had just last week been diagnosed with cancer, but had continued with her work up until her death.

Chantal Akerman made a documentary of Pina Bausch

Pina Bausch Picture galleries from Guardian here.

Dreaming of Pina (A wonderful Video)

Her influence is clear in the work of European choreographers like Jan Fabre, Anne Teresa de Keersmaeker, Sasha Waltz and Alain Platel. Her work has also been a major influence on American contemporary dance choreographers who question the boundaries between theater and dance.

A scene from “Orpheus and Eurydice” at the Opera Garnier in Paris in 2005.

Created a Pina Bausch archive under dance.

Kontakthof Pina Bausch 1

Beaming Balanchine

Monday, May 25th, 2009


George B and Igor (Early career of G.B on Yourtube)

  • Mr B and Stravinksy Balanchine and Stravinsky

    More on youtube.
    Pacific Northwesat performs George Balanchine’s JEWELS

    What is the Curse of Balanchine?

    Magic spells, poisons, potions and enchantments may be frequent plot devices at the ballet, but the art form itself is under a bewitchment of its own making. It’s the Curse of Balanchine. (Read more here at Washington Post Ballet Must Make Room Onstage for More Than One Genius)

    Blue Kaipoi

    Monday, November 3rd, 2008

    Trisha Brown
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    R.I.P Madelyn Dunham (Obama’s Grandmother) – To the Mountaintop – Joe Klein

    “She was a quiet hero” Obama on youtube.

    byodo
    Byodo (Digital image by
    Fung Ching
    Kelling)

    Byodo image is dedicated to Madelyn Dunham. Fung Ching lives in Honolulu, not too far from Obama’s grandmother’s apartment. (See Byodo Inn in Haiku village).

    kaipoi11-01-08_copy

    (Digital image by Fung Ching Kelling)

    Akram Khan

    Friday, August 1st, 2008

    Akram Khan Zero Degrees

    Zero Degrees

    About a decade ago, the London-born choreographer Akram Khan and his Bangladeshi cousin were boarding a train from India to Bangladesh when police confiscated their passports and wouldn’t return them until Khan’s cousin slipped them some money. Then the cousins found a dead man in their carriage.
    Khan moved to help the man’s distraught wife, but his cousin told him to stay put. “They’ll just blame you for the death,” he said. “They need to blame someone, so they’ll blame you.” They’d recognize that Khan was a foreigner–he had insubordination in his eyes–and they’d throw him in prison and he’d never get out.
    When Khan and the Moroccan-Belgian choreographer Sidi Larbi Cherkaoui sat down to plan a joint work in 2005, Cherkaoui asked Khan to tell him something he’d never told anyone before. Khan told this story.

    Portrait of the artist Akram Khan

    Sacred Monsters by Sylvie Guillem, choreographed by Akram Khan (Youtube).
    (The fact that Juliette Binoche is not a professional trained dancer like Sylvie may bring more surprises and warmth to Khan’s work, as evidenced by the sample of this clip).

    Rhada’s Dance (traditional Indian dance excerpted from Jean Renoir’s film “The River”)

    Happy Sneaker Feet – De Keersmaeker and Derbyshire

    Saturday, July 19th, 2008

    Anne Teresa De Keersmaeker –

    Counter Phrases 3/4

    Rosas_Fase_Clapping Music

    De Keersmaeker’s biography here.

    (See Happy Geta Feet – Japanese tap dancing video from previous post)

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    Listen to Delia Derbyshire’s Experimental dance track

    Delia is a pioneer in Electronic music

    A recent Guardian article called her ‘the unsung heroine of British electronic music’, probably because of the way her infectious enthusiasm subtly cross-pollinated the minds of many creative people. She had exploratory encounters with Paul McCartney, Karlheinz Stockhausen, George Martin, Pink Floyd, Brian Jones, Anthony Newley, Ringo Starr and Harry Nilsson.

    Delia at BBC delia.jpg

    Baryshnikov, Malakhov and More

    Thursday, April 17th, 2008

    Baryshnikov at Joinville

    I saw Mikhail Baryshnikov on Charlie Rose yesterday.
    Micha is showing his dance photographs (Merce Cunningham dancers).
    Charlie Rose managed to insult him. He suggested he should try filmmaking like Julian Schnabel. Charlie often acts real weird like that. Telling people you can do better.

    Micha Teaching Ballet class in Cuba 2007 (Youtube)

    Born To Be Wild: Ethan, Angel, Jose and Vladimir (Mark Morris working with the elite male dancers)

    Vladimir Malakhov – Voyage

    And one more Malakhov – Handel (short clip)

    Tilt-a Whirl

    Thursday, January 31st, 2008

    I have been watching old elegant skating by John Curry on youtube. Today is Philip Glass‘s birthday; a good way to celebrate his birthday is with a piece done by two great skaters from the forgotten past. Curry wanted to introduce the idea that figure skating can also be an art form, not just a sport with medals, winners, and losers.

    He was light on his feet like Fred Astaire, see here. Today Sasha Cohen, Johnny Weir, and Matt Savoie have inherited Curry’s elegant skating.

    Nocturn by Grieg

    Here is a piece by Twyler

    His life was cut short with AIDS.
    Found this article claiming that he died in the arms of Alan Bates.

    Palermo Plaermo

    Saturday, November 17th, 2007

    See Cafe Muller here and Pina Bausch here.

    More Mark Morris

    Saturday, May 19th, 2007

    Mark Morris (pictured) has choreographed a dance called Looky to five of my Disklavier studies, and it’s being presented at the Institute for Contemporary Art in Boston(via)

    Like many of Morris’s older dances, such as “Mythologies” (1986) and “Ten Suggestions” (1981), “Looky” is at once an homage to classical and early modern dance forms and a comment on them. Looky is a playful premiere from Mark Morris.

    Many of us are not fortunate enough to keep up with Morris’ new works. I was happy to find a clip from Mozart Dances and clips from Dido and Aeneas.

    Mozart Dances


    Dido Aeneas – Henry Purcell

    The argument is even weaker in the case of Dido and Aeneas, which is one of Morris’s most starkly beautiful and touching pieces. In its recent BAM incarnation, Dido’s classically rigorous structure was more visible than ever, because Morris—who used to dance both the role of Dido and the role of the Sorceress—had for the first time given away his two parts, one to a woman and one to a man. There were losses entailed in this changing-of-the-guard, but there were also gains. Without Morris to draw your eye every time he was onstage, you could actually see the precise details and careful symmetry of the other dancers’ steps. And though I missed the presence of Morris himself—and missed, as well, the implications of the traditional double-casting, whereby the victim of the tragic love affair was also the manipulative destroyer of that affair—I understood that this version had a clarity and purity that offered us something new. (Wendy Lesser, the idea of Camp)

    Here is an older, original version with Mark Morris dancing.

    Dido’s Lament

    Mark Morris previous post includes photos of musical masters.

    Tamasaburo Bando

    Saturday, April 28th, 2007

    Nihonbashi Bando Tamasaburo

    This is a photo of Tamasaburo Bando, a Kabuki actor who specializes in onnagata (women’s roles). He is known in the West as well as in Japan, and has worked with Mikhail Baryshnikov and Yo-Yo Ma (dancing “Struggle for Hope” in the Inspired by Bach video series). More here

    Playing puppet (bunraku) dance (Youtube)

    Nastassia directed by Wajda

    (Photo of Bando Tamasaburo by Baryshinikov)

    Inabune (Youtube) See for design, costume and camerawork.

    Courtesan (Youtube)

    Princess Yang Kwei-Fei or Yokihi (Youtube)

    Yokihi Bando Tamasaburo
    above and White Lion below

    Happy Geta Feet

    Wednesday, January 17th, 2007

    Two years later we now have this on youtube. (See previous post on this tap dance number)
    Only Takeshi would conjur tapdancing with “geta”
    They look like tap sandals made to look like geta.

    Happy Birthday to “Aniki” Takeshi Kitano and to “Kyoju” Ruichi Sakamoto. (Jan 18, 1947 for Takeshi and Jan 17, 1952 for Sakamoto.)

    Found this great clip – Sakamoto channelling Warhol and Steve Reich.

    Go to sitesakamoto and click on the moving elegy Bring Them Home. (The Professor is an activist for Peace.)

    Nagisa Oshima launched the two of them onto the world stage with “Merry Christmas, Mr. Lawrence”, both Kitano and Sakamoto had supporting roles to David Bowie.

    Recently Sakamoto composed the filmscore for Tony Takitani. (Youtube trailer is here)