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Tomoo Gokita – Peekaboo Exhibition in Tokyo – to June 24, 2018

May 26th, 2018
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    How to Marry a Millionaire – (2015 Acrylic by Tomoo Gokita)

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    Chloe Sevigny, Kazumi Hayashi, Lily Ludlow, and Tomoo Gokita)

    via

    Tomoo Gokita “PEEKABOO” exhibition opening and after party at Tokyo Opera City Art Gallery, Tokyo

    On view until June 24th, 2018 at Tokyo Opera City Art Gallery, 3 Chome-20-2 Nishishinjuku, Shinjuku, Tokyo.
    Tomoo Gokita Mary Boon Gallery

    Artnet

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    Bathing Beauty Sculptures

    Hirokazu Kore-eda, The Shoplifters wins Palme d’Or at Cannes 2018

    May 19th, 2018
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    The Shoplifters wins Palme d’Or.

    Japan Times – Kore eda, Master of Humanism

    Winners at Cannes here.

    Palme d’Or: “Shoplifters,” Hirokazu Kore-eda

    Grand Prix: “BlacKkKlansman,” Spike Lee

    Jury Prize: “Capernaum,” Nadine Labaki

    Special Palme d’Or: “The Image Book,” Jean-Luc Godard

    Best Actress: Samal Yeslyamova, “Akya”

    Best Actor: Marcello Fonte, “Dogman”

    Best Director: Pawel Pawlikowski, “Cold War”

    Best Screenplay (tie): Alice Rohrwacher, “Happy as Lazzaro” & Nader Saeivar, “Three Faces”

    Camera d’Or: “Girl,” Lukas Dhont

    Short Film Palme d’Or: “All These Creatures,” Charles Williams

    Queer Palm (Feature): “Girl,” Lukas Dhont

    Queer Palm (Short): “The Orphan,” Carolina Markowicz

  • Kore eda Films from previous posts.
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    Still Walking

    Nobody KnowsNobody Knows
    Film Quiz + Nobody Knows + Cities & Neglected Children

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    Previous Cannes festival.

    Kiki, for whom After the Storm is her fifth Koreeda film, described the director as among one of the most observant she has seen in her 55-year career.

    Kiki, Kore eda, Nagase etc

    Two Sketches by Ike No Taiga – Artist from Edo Period

    April 24th, 2018
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    Ike no Taiga

  • Met Museum (Click on + to see Meng Jia Loses His Hat (left); The Chinese Poet Su Shi (right))

  • Ike No Taiga:Influence of the Middle Kingdom and humble background

  • Ike No Taiga :True View (Japan Times) travel painter.

    ‘The Genius of Ike no Taiga: Carefree Traveler, Legendary Painter,” at Kyoto National Museum, is magisterial. Edo Period (1603-1868) Kyoto teemed with big name painters, but Taiga (1723-1776) was superlative.

    Miyagawa at MoMa – A Cinematographer for Mizoguchi, Kurosawa, Ozu, Kon Ichikawa etc.

    April 15th, 2018
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    Yojimbo -( Kurosawa, cinematography by Kazuo Miyagawa )

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    Sansho Dayu (Kenji Mizoguchi, cinematography by Kazuo Miyagawa)

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    Ugetsu (Kenji Mizoguchi, cinematography by Kazuo Miyagawa)

    At MoMa calendar
    Kazuo Miyagawa: Japan’s
    Greatest Cinematographer
    Through April 29
    The Museum of Modern Art

    Kazuo Miyagawa (Japan Society)

    Born in Kyoto on 25 February 1908, he was introduced at the age of 12 to the art of Sumi-e, a style of ink wash painting in which the dilution of the ink and the mastery of the brush allows the artist to obtain every possible shade of grey. Miyagawa would later state that “it was my training in ink wash painting that really taught me how to see.”

    See more AFCinema

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    Kenji Mizoguchi (on the chair), Miyagawa (behind) and actresses on the set of his film “Street of Shame (Akasen Chitai)

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    with Michio Kogure..from Sisters of Gion.

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    (Directed by Yasuzo Masumura)
    Miyagawa filmed Ayako Wakao in Ozu’s Floating Weed, Gion’s Sisters.

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    Ozu Yasujiro and Kazuo Miyagawa

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    Another of Miyagawa’s masterful achievements was on Kon Ichikawa’s Tokyo Olympiad (1965), where he supervised 164 cameramen, who used 234 different lenses to capture the dramatic intensity of competition in extreme close-up.

    Tokyo Olympiad - Kon Ichikawa

    George Clooney Customized by Yayoi Kusama + Foto of Yayoi & Joseph Cornell

    March 22nd, 2018
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    Yayoi Kusama with one of her Infinity Net paintings in New York, c. 1961 (repost)

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    (via)
    George Clooney was customized by Yayoi Kusama

    Photographed by Emma Summerton, Clooney is decked out in a Giorgio Armani suit, shirt, bow tie, and shoes that are all customized by the artist Yayoi Kusama. According to the accompanying W article, the Japanese artist admitted to not being familiar with who the Hollywood star was.. (2013 – old news)

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    Kusama and Joseph Cornell New York 1971

    In 1972, American assemblage and collage artist Joseph Cornell died. Twenty-six years her senior, Cornell had been Kusama’s closest friend. New York was by this time home to a community of Japanese artists, but Kusama had avoided the associations many of her compatriots formed with groups such as the anti-art happening bunch in the neo-Dada group Fluxus.
    “I had gone to New York to be independent,” she says, “Not to join a group.”
    Cornell’s death left Kusama dangerously isolated, and her mental condition began to deteriorate. She experienced frequent hallucinations and bouts of severe depression and developed heart problems. Heeding her parents entreatments, Kusama returned to Japan. Her father died two years later, and despite out-patient psychiatric treatment, Kusama’s anxiety neurosis was now unmanageable. In 1977 she entered the psychiatric institution.
    Kusama has lived in the same hospital for over 20 years. There is no furniture, save a bed. Her 12 square-meter room has a big, French-style bay window that looks out onto a small garden. Kusama sometimes watches people playing tennis in a court that lies behind the garden.
    Every morning after breakfast, Kusama walks five minutes up Gaien Higashi street to her studio to paint. She walks back to the room for lunch, then returns to her studio and works through the afternoon. Kusama takes her dinner at the hospital before retiring each evening.
    “It’s very comfortable, very private” says Kusama, “And very simple, I like it.”

    Yayoi Kusama loves pumpkins and polka dots

    Takuma Nakahiro, Critic/Photographer, Collaboration with Daido, Shuji Terayama, Shomei

    December 10th, 2017
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    Takuma Nakahira – Okinawa (Japan Times)

    This solitary figure was the late Takuma Nakahira, then at the height of his influence as both a photographer and radical cultural critic, and now revered together with Daido Moriyama as an originator of the are-bure-boke (rough, blurry, out-of-focus) style of black-and-white photography associated with the turbulent urbanization and political activism of late 1960s Japan.

    For a Language to come (MoMa – Takuma’s photos for the 1971 Paris Biennial)

    Takuma Nakahiro (Pinterest)

    Aperture

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    Daido Moriyama

  • Artforum

    Nakahira started out as an editor for a left-wing journal in the mid-’60s, but left this post to help organize a major historical survey of Japanese photography at the invitation of photographer Shōmei Tōmatsu. As he transitioned into being a full-time photographer in the late ’60s, often collaborating with Daidō Moriyama and the poet-playwright Shuji Terayama, Nakahira sought to test photography’s capacity to engage with and incite critical thought.

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    Shuji Terayama (born on Dec 10) – he was Pencil Dracula

    Klaus Kinski was directed by Terayama see more photos and video here)

  • Master Photographer Shomei Tomatsu

  • His Final Performance, the Suicide of Yukio Mishima on Nov 25, 1970

    November 25th, 2017
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    Patriotism written, directed and acted by Yukio Mishima

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    Kishi Keiko on the left and Jean Cocteau on the right

  • John Nathan and Donald Richie on Yukio Mishima (Youtube)

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    Mishima – A Vision of the Void - by Marguerite Yourcenar.. (Photo of Mishima by Hosoe).
    Hijikata, Mishima, Hosoe, Tomatsu Donald Richie (see more photos here)

  • R.I.P Yukio Mishima Nov 25, 1970.

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    Japan Studies – Chozick

    But by age nine, Mishima abandoned transvestitism, noting that: ‘it was tacitly required that I act like a boy. The reluctant masquerade had begun’ (Confessions, 27)

    The Tragic Life and Death of Yukio Mishima

    Yukio Mishima had a darker side: tormented in his youth by a disturbed grandmother with aristocratic pretensions, shamed by his overbearing father into hiding his early work..

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    Paul Schrader directing Mishima, A Life in 4 Chapters, his sister in law acted as his interpreter with Japanese crew and actors.
    His brother Leonard knew Mishima.

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    Akutagawa Hiroshi, Mishima and Donald Keene
    (via)

  • Two Photos of Yayoi Kusama, One from New York, Another from Tokyo Bay

    August 29th, 2017
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    Yayoi Kusama with one of her Infinity Net paintings in New York, c. 1961

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    Yayoi Kusama at Tokyo Bay 1993

    Both photos (via Red List)

  • Yayoi Kusama banned journalists from her studio.

  • Happy Girls Day in Japan – March 3 is Hinamatsuri Day – 2017

    March 3rd, 2017
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    Dolls trailer (Directed by Takeshi Kitano, Poland gave this the best film award – costume design by Yoji Yamamoto)

    Name these girls – Happy Hinamatsuri album

    Google Hinamatsuri

    The custom of displaying dolls began during the Heian period. Formerly, people believed the dolls possessed the power to contain bad spirits. Hinamatsuri traces its origins to an ancient Japanese custom called hina-nagashi (雛流し, lit. “doll floating”), in which straw hina dolls are set afloat on a boat and sent down a river to the sea, supposedly taking troubles or bad spirits with them.(via wiki)

  • Meet Jesse jesse

    Captive Girls (previous post)

  • More delicous performances at the museum..

    Action, Arnachy, Audacity-Seijun Suzuki B Film Visionary Dies at 93

    February 22nd, 2017
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    Yumeji (Kenji Sawada as Yumeji, artist/illustrator)

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    Branded to Kill (Shishido Joe tried plastic surgery on his cheeks to get more work as an actor)
    See the trailer (Branded to Kill – youtube)

  • Youth of the Beast review

  • Seijun Suzuki dies aged 93 -
    Seijun Suzuki who inspired Tarantino and Jarmusch dies at 93

    Film-maker who paired pop art visuals and yakuza hitmen in Tokyo Drifter leaves behind a singular, surreal body of work that gained international acclaim

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    Kawase, Koreeda & Clara Law + Looking back on Kiki & Nagase’s Off Beat Films

    September 16th, 2016
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    Naomi Kawase

    Sweet Bean (Nytimes) - A delicacy unites a vendor and an old woman.

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    Cannes festival.

    Kiki, for whom After the Storm is her fifth Koreeda film, described the director as among one of the most observant she has seen in her 55-year career.

    Koreeda’s new film, After the Storm.

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    Still Walking – Hirokazu Kore eda (previous post)

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    Autumn Moon directed by Clara Law

    Full film ofAutumn Moon by Clara Law here (Youtube)

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    Clara Law

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    Mystery Train - Jim Jarmusch

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    Nagase in Cold Fever.

    Cold Fever (Icelandic film) ..

  • Junichiro Tanizaki – In Praise of Shadow + The Tatoo on Ayako Wakao

    July 24th, 2016
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  • Irezumi 1aaIrezumiYasuzoMasumura
    (Directed by Yasuzo Masumura)

    “This painting shows your future,” Seikichi said, pointing to the woman under the cherry tree — the very image of the young girl, “All these men will ruin their lives for you.”— “The Tattooer” by Junichiro Tanizaki

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    (Ayako Wakao, Funakoshi, Kyoto Kishida)
    Manji directed by Masumura.

  • The Key to Junichiro Tanizaki
    (See a trailer of Berlin Affair, and Makioka Sisters and film still of the Key – previous post)

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    Directed by Kenji Mizoguchi