Elizabeth, Her Place in the Sun

March 23rd, 2011

Her trip to Iran

1976 saw the one and only time Elizabeth Taylor would visit Iran. An exotic and educational excursion for Taylor, her travel partner was Firooz Zahedi, then an art school graduate and today a successful Hollywood photographer. Zahedi proved to be not only useful in documenting Taylor’s experiences and discoveries,

With James 1taylorjames

I think that< "http://www.davidpaulkirkpatrick.com/2018/03/30/james-dean-and-elizabeth-taylor-reenact-the-crucifixion-in-a-photo-by-george-rinhart/"> haunted him the rest of his life. In fact, I know it did. We talked about it a lot. During ‘Giant’ we’d stay up nights and talk and talk, and that was one of the things he confessed to me.”

Elizabeth and Tennessee Williams

Tennessee Williams wrote of Taylor in his Memoirs in the 1960s as “excessively beauteous” and a “marvelous female star.” In a Paris Review interview with Dotson Rader in the Fall of 1981, Williams spoke of Taylor in the context of her intimate relationships with Hollywood leading men Montgomery Clift and Rock Hudson, both closeted gay men who died prematurely, and Michael Jackson, too.
While Hudson died from AIDS in 1985, Clift died in 1966 at age 45 from heart failure many believe was associated with depression and drug abuse. Taylor probably saved his life 10 years earlier when, on May 12, 1956, she witnessed him crash his car into a tree after a Hollywood party. She ran to him, and manually extricated a tooth from his throat that he was choking on.
In his 1981 interview, Williams said, “Monty Clift was one of the great tragedies among actors, even more than Marilyn Monroe, I believe. One of the loveliest things about Elizabeth Taylor was her exceptional kindness to him. Many women were very kind to him. Katharine Hepburn. But Elizabeth particularly. She’s a very dear person. She’s the opposite of her public image. She’s not a bitch, even though her life has been a very hell. Thirty-one operations, I believe. Pain and pain. She’s so delicate, fragile really.”

Goodbye Elizabeth now you are with Mike, Richard, Roddy, Monty, Rock and James Dean and all the people you have helped and healed.

Tetsumi Kudo’s Nuclear Angst

March 20th, 2011

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CULTIVATION BY RADIOACTIVITY IN THE ELECTRONIC CIRCUIT, 1970. AOMORI MUSEUM OF ART, JAPAN

Tetsumi Kudo 1tetsumikudo
(February 23, 1935 – November 12, 1990)

Art in America by Ryan Holmberg 3/1/09

He was antihumanist and strongly antimodernist. The human body is pervasively disfigured throughout his work, and the overriding theme of his dioramas and installations is irreparable earthly degeneration. He places the blame on blind faith in technology and progress, and behind most of his apocalyptic visions is the mother of all man-made catastrophes, nuclear holocaust.

Walker Art Center

Deeply concerned with the fate of humanity in the wake of nuclear attacks on his native land and the dawn of the global arms race, Kudo determinedly sought to develop a universal humanist language of creativity and regeneration until his untimely death in 1990.

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More Tetsumi Kudo

Go with the Flow

March 18th, 2011

Robert Rossen who directed All the King’s Men, Mambo, the Hustler and Lilith.
Lilith – Jean Seberg, Warren Beatty and Peter Fonda here.

The Hustler Igreatfeeling
Paul Newman talking about being in the flow state..

If you’re in a hurry.. here is one min. no flow state..

On March 16 I posted Lilith and the Hustler to honor Robert Rossen on FB. Found this poem by Alan via netBehaviour a day later.

FB – Alan Sondheim

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Japan/Asia Sympathy

March 15th, 2011

Asia asiasympathy Sympathy

In Japan No Time Yet for Grief

Fukushima TEPCO (Pasaudela)

Takashi Miike is not attending.. Japan Society..

. But, from this adversity – on our lives – we will all rise up without fail. As a start, I would be grateful if you could enjoy Japan from this film.
Sincerely,
Miike Takashi”

To be or not to be JAPAN FIGURE SKATING ISU GRAND PRIX FINAL

Tokyo Times Blog here (See a wonderful photo)

And, for a city that can certainly be very frosty, it’s noticeably more friendly. Nods, smiles and the odd konichi-wa are suddenly commonplace, with a definite feeling of, ‘we are all in this together’, now prominent.

and here

Being There and Earthquake Graphics
(After quake reports from Andrew Pothecary who lives in Tokyo)

Fast Facts about Japan (Scientific America)

BlueGrayWhite-Tube

March 10th, 2011

Video work by Richard Swarbrick – real footage of the game here.

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(digital images by Fung Lin Hall)

Dean Stockwell – Delicate to Delirium

March 7th, 2011
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    (Dean Stockwell photo by Dennis Hopper)

    “Long Day’s Journey Into Night,” states Stockwell, “was as intense and rewarding an experience as I’ve had. It’s a small cast, and one of the greatest plays of the century by one of the greatest American playwrights. We rehearsed it six weeks with a brilliant director, Sidney Lumet. I feel that the film is the best American film made from a play – that I’ve ever seen. There was no screenplay. Some cuts were made to make it feasible for a film – but nothing was transposed. It was very gratifying.”
    In the book, Kate, by Charles Higham, Sidney Lumet is quoted: “Dean would come in with a bottle of vodka, and Kate at first almost did what she did to him in the movie – struck him. She was so angry at him – out of love. But she was tender to him. The first day of work was cold, and he had forgotten to bring an overcoat. The next day, there was a coat in his dressing room; she had gone out after shooting and bought him one. She always had an enormous affinity for heavy drinkers – maybe because of Tracy.”

  • 1aaacompulsion

    Darrow was the inspiration for the character of Johnathan Wilk in the 1956 novel Compulsion, a thinly fictionalized account of the Leopold and Loeb case. In 1959, the novel was adapted into a film of the same name, starring the legendary filmmaker Orson Welles as Wilk. Welles, whose closing monologue was the longest ever committed to film at that time, shared the Best Actor award with co-stars Bradford Dillman and Dean Stockwell.

    Compulsion (1959)

    Dean Stockwell made three remarkable films in his mid-career starting with Compulsion followed by Sons and Lovers and Long Day’s Journey into Night.


  • Sons and Lovers

    Of Sons and Lovers, Stockwell maintains, “It’s a classic film. It holds up – over a long period of time. It had a brilliant cast, and I feel it was a pretty damn good rendition of that book.” Sons and Lovers headed the National Board of Review’s 10 Best Films of 1960 list. It tied with The Apartment as the NY Film Critics Best Film. In his FIReview, Henry Hart wrote: “Rarely has so honest and meaningful a novel been turned into so good a motion picture.” He noted, “Stockwell does things . . . an actor twice his age would be proud of,” and added, “I think the thing about his performance that fascinated me most was his seemingly spontaneous use of bits of business which seemed to come . . . from his feeling for the character.”

  • The O’Neill classic, says Stockwell, “remains one of my favorite films. And Paris, Texas is certainly another. The film was put together and shot in a most unusual way. Sam Shepard, probably our leading playwright right now, wrote the screenplay. But, as we started, it was simply a synopsis, a breakdown of scenes – with no dialogue at all. At the time, Sam was shooting Country, which opened the New York Film Festival. Everyday, when he got through acting, he would type out dialogue for Paris, Texas.” (Interview with Dean Stockwell)

    Dean Stockwell dean-stockwell in Blue Velvet

    Dean Stockwell, Blue Velvet – It’s not easy to out-bizarre your fellow cast members in a David Lynch movie, but Dean Stockwell managed to do just that in his one-scene turn as Frank Booth’s (Dennis Hopper) unctuous, kabuki-faced, satin-jacketed mentor in malevolence, Ben. The mellow yin to Hopper’s manic yang, Stockwell’s eerie lip-synching rendition of Roy Orbison’s “In Dreams” just barely hints at what lies inside the depraved mind of the drug dealer/pimp. (via)

    “I hate to admit it, but you can’t do a role unless it’s somewhere in your psyche. People don’t realize how vast the subconscious is. It’s like infinity.” Dean Stockwell.

    Saint-Lô + Waiting for Beckett

    March 4th, 2011

    (Saint-Lô ) RuinsStLo

    Vire will wind in other shadows
    unborn through the bright ways tremble
    and the old mind ghost-forsaken
    sink into its havoc.

    -Samuel Beckett, “Saint-Lô” (1946)

    Where is Saint-Lô?

    In Love with Hiding

    Beckett might have sat out World War II in his native Ireland, but as he later quipped in an interview with Israel Shenker, “I preferred France in war to Ireland at peace.” By 1941 he had joined the Resistance in Paris, largely as a response to the arrest of such Jewish literary friends as his old Trinity College classmate Alfred Péron. As a neutral Irishman who spoke fluent French, Beckett was in great demand; he and his companion (later wife) Suzanne Deschevaux-Dumesnil joined Gloria, a reseau de renseignement or information network, whose main—and dangerous—job was to translate documents about Axis troop movements and relay them to Allied headquarters in London.

    Waiting for Beckett: A Portrait of Samuel Beckett is a must for anyone interested in his work. It traces Beckett’s early years in Ireland and Paris, before discussing the impact of his novels, plays and late work with the help of friends, scholars and publishers.

    A Piece of Mononlogue Waiting for Samuel Beckett (all six parts of the documenatry film are linked here)

    Looking at the film steve_schapiro_Samuel_beckett_looking_at_film

    Georges Bataille (1951):

    What ‘Molloy’ reveals is not simply reality but reality in its pure state: the most meager and inevitable of realities, that fundamental reality continually soliciting us, but from which a certain terror always pulls us back. . . . There is in this reality the essence or residue of being. . .

    Adieu Annie Girardot

    February 28th, 2011

    Annie Girardot AnnieG

    Annie Girardot, Versatile French Actress, Dies at 79 (NYtimes)

    Girardot, with awards for both film and theater in a decades-long career, had suffered for years from Alzheimer’s disease and a Paris hospital said she died on Monday.(Via)

  • Adiós Victor Martinez

    February 25th, 2011

    We’re sad here at the San Francisco Writers’ Grotto to announce the death of poet and novelist Victor Martinez. His bio on the Harper Collins website reads: Victor Martinez was born and raised in Fresno, California, the fourth in a family of twelve children. He attended California State University at Fresno and Stanford University, and has worked as a field laborer, welder, truck driver, firefighter, teacher, and office clerk. His poems, short stories, and essays have appeared in journals and anthologies. Mr. Martinez was awarded the 1996 National Book Award for Young People’s Literature for Parrot in the Oven, his first novel. (Meghan Ward)

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    Victor Martinez 2.21.1954 – 2.18.2011

    “It was very important for Victor to be known as an American writer,” said his wife, Tina Alvarez. “He was not writing for any specific group. He was writing for everyone.”
    “His poetry was more about life and thoughts. It made you think.”

    Read more here

    When Martinez died in the early morning of Feb. 18, 2011, in his apartment on Capp Street, a few days before his 57th birthday, that book Parrot in the Oven: Mi Vida, had become part of the canon of books taught to American high school students.

    Martinez, who counts among his friends, the Chicana writers Sandra Cisneros (The House on Mango Street, Woman Hollering Creek) and feminist Ana Castillo, makes a sustained effort not to live a publicly writerly lifestyle. “When people ask what I do, I don’t say ‘I’m a writer,'” he says. “I tell them I drive a truck, I wash dishes, so people aren’t suspicious of your motives, or put a spin on their relationship with you. (Kevin Davis – Mission Scribe)

    PBS Interview after winning the award
    Victor’s wife told him to go with the big publisher so he did.

    Victor loved Giacometti wrote Jurgen Trautwein via email.

    Victor Martinez was my friend for 20 years, a great inspiration, a true artist and an amazing poet and writer. I will really miss you Victor.

    Victor Martinze vic at berkely art m with Enrique Chagoya, Sal Garcia at the Berkeley Art Museum (photo by jtwine)

    Francisco X. Alarcon

    It was at Stanford University where Victor Martínez met Tina Alvarez, the love of his life. I told Linda Wilson over the phone, that one morning Tina and Vic called me to come in a hurry to their pad on Capp Street. I ran from my flat on San Jose Avenue, few blocks away, and found out that they had decided to get married that day and they wanted me as a witness. (Via)

    Leonard Cohen and Robert Altman

    February 20th, 2011


    (direct link to opening number The Stranger by Leonard Cohen and the Trailer (two songs)

    “I thought it was a fine movie. That night I was in the studio and received a call from Hollywood. It was from Bob Altman saying he would like to use my music in a film. Quite honestly, I said, ‘I don’t know your work, could you tell me some of the films you’ve done?’ He said Mash, and I said that’s fine, I understand that’s quite popular, but I’m really not familiar with it. Then he said there was a film I’ve probably never seen called ‘Brewster McCloud.’ I told him I just came out of the movie and thought it was an extraordinary film, use any music of mine.” From Robert Altman: Oral Biography)

    Sisters of Mercy <> <> <> The ending Winter Lady

    Bob leonardaltman and Leonard Cohen

  • On James Dean’s 80th birthday, this film probably deserves its own little mention. The James Dean Story, a 79 minute documentary chronicling the life and times of Jimmy Dean, came out two years after the young actor’s death. Most notably, the film was directed by Robert Altman, a young director who would eventually make MASH, Nashville, The Player, Gosford Park, etc. (Watch the James Dean Story by Robert Altman )

  • Robert Altman – February 20 1927 Robert Altman

    (Previous Post : Robert Altman)

    Lunch with a Lonely Hunter – Carson McCullers

    February 19th, 2011

    Carson and George Davis by Cartier Bresson <><> Carson by Richard Avedon

    A biography Carson of a most fascinating author.

    Carson McCullers February 19, 1917

    “Mrs McCullers and perhaps Mr. Faulkner are the only writers since the death of D. H. Lawrence with an original poetic sensibility. I prefer Mrs McCullers to Mr. Faulkner because she writes more clearly; I prefer her to D. H. Lawrence because she has no message.” – Graham Greene
    “Carson’s major theme; the huge importance and nearly insoluble problems of human love.” – Tennessee Williams.

    Lunch BE031908 hosted by Carson

    (Lunch with Carson)

    Karen Blixen and Marilyn (including the link to the menu)

    Carson kissing Marilyn here.

  • Watch Marlon Brando talking to himself in the mirro.. hilarious
    A Reflection in a Golden Eye was directed by John Huston. Carson and Huston remained close friends.

  • carsonandreeves
    Carson and Reeves

    McCullers is reluctant to reveal her feelings or her reasons for returning to marry Reeves a second time in 1945. The inclusion of the war letters between Carson and Reeves – an inclusion that Carson herself dictated in the original manuscript of her autobiography – betrays this reticence, and instead shows a tender, strongly felt bond between the two.

    Unfinished autobiography by Carson (Letter: Carson McCullers to Reeve McCullers, late December 1944.)

    Simon Callow directed the Ballad of Sad Cafe (Vanessa Redgrave and Keith Carrdine boxing here) <> <> <> The Ballad of Sad Cafe (Sesame Street)

    Alan Arkin was nominated for an Oscar – The Heart is Lonley Hunter.

    Christian Marclay

    February 12th, 2011

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    Christian Marclay Untitled, 1984

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    Introduction of the Clock on youtube<> <> Paula Cooper The Clock <> <> his works from past

    Christian Marclay
    Everyone is raving about the Clock

    Most unusually, for a work of conceptual art, this masterpiece of montage is deliriously entertaining. It’s also totally functional — a working timepiece of incredible precision.