Buck Henry as Oliver Farnsworth from The Man Who Fell to Earth) Buck Henry passed away on the anniversay of David Bowie’s birthday Jan 8.
He was twice nominated for an Academy Award, in 1968 for Best Adapted Screenplay for The Graduate and in 1979 for Best Director for Heaven Can Wait alongside Warren Beatty. His long career began on television with work on shows with Steve Allen in The New Steve Allen Show (1961). He went on to co-create Get Smart (1965-1970) with Mel Brooks, and hosted Saturday Night Live 10 times from 1976 to 1980. He later guest starred in shows such as Murphy Brown, Will & Grace, and 30 Rock.
the master of despair whose comedies seduced Hollywood
He helped shape one of the most revolutionary films of the 1960s (The Graduate), co-wrote one of the funniest of all time (What’s Up, Doc?) and scripted the movie that became the springboard for Nicole Kidman’s career (To Die For).
During the October 30, 1976, episode, Buck Henry was injured in the forehead by John Belushi’s katana in the samurai sketch. Henry’s head began to bleed and he was forced to wear a large bandage on his forehead for the rest of the show. As a gag, the members of the SNL cast each wore a bandage on their foreheads as well.
An extremely influential figure in modern British comedy, he is regarded as the leading light of the British satire boom of the 1960s. Cook was closely associated with anti-establishment comedy that emerged in Britain and the United States in the late 1950s.
In 1983, Oshima returned to Cannes with “Merry Christmas, Mr. Lawrence,” A WWII P.O.W. camp drama based on the experiences of writer Laurens van der Post, the pic starred Tom Conti, David Bowie, composer Ryuichi Sakamoto (who also supplied the soundtrack music) and helmer-to-be Takeshi Kitano as a brutal camp guard.
Nagisa Oshima launched Ryuichi Sakamoto and Takeshi Kitano onto the world stage with “Merry Christmas, Mr. Lawrence”, both Kitano and Sakamoto had supporting roles to David Bowie. (see more images -scroll down Gohatto)
“Death by Hanging” (1968), about a Korean man sentenced to death for rape and murder, addresses the prejudicial treatment of the Korean minority in Japan. (NYtimes)
When I was a college student, I went to see the film directed by Nagisa Oshima “KOSYUKEI(Death by hanging)” . After the film screening, Mr. Oshima appeared, and debated with audiences. There was a young man asked a question to Mr. Oshima. Then, Mr. Oshima, answered “Stupid!”. When the young man asked “What? Is it stupid? What do you mean?” Mr. Oshima shouted in a loud voice “I said just You are stupid!” and Mr. Oshima went away and left the hall quickly.
He was always angry in front of the media. I think the “energy of anger” become the source of his works. He was always angry, however, people say that he had never even once a fight with his wife.
Duncan Jones who directed the Moon is David Bowie’s son.
It is strange that we do not hear much about him.
1)-Oscar 2010 -Avatar averted. (Actors need jobs and plastic surgeons need custormers)
2) A woman who makes macho film wins for the first time as a Female director.
Jane Campion who did not win for the Piano was not even nominated for “Bright Star”
3) Omission of Farrah Faucett and Bea Arthur from Oscar obituary of the year
4) Penelope Cruz who won the best supporting actress last year got nominated again.
5) Sandra Bullock compensated for her lack of credentials with gracious speech.
6) Abbie Cornish who was excellent in “Bright Star” was not even nominated.
Update: Oscar bosses defend Farrah Fawcett snub (She was not just a TV actress, Farrah appeared in the films Extremities and the Apostle. The Oscar snub demonstrates their total ignorance of their own profession.)
Two years later we now have this on youtube. (See previous post on this tap dance number)
Only Takeshi would conjur tapdancing with “geta”
They look like tap sandals made to look like geta.
Happy Birthday to “Aniki” Takeshi Kitano and to “Kyoju” Ruichi Sakamoto. (Jan 18, 1947 for Takeshi and Jan 17, 1952 for Sakamoto.)
Nicolas Roeg was one of the most original film-makers the UK has ever produced.
His early experience as a cinematographer brought a stunning visual quality to his work.
His work sits closer to that of Derek Jarman, Peter Greenaway, Andrea Arnold, Sally Potter, Steve McQueen and other British art house directors, than the storytelling of Lean, Lester, Schlesinger, and other directors he cut his teeth with.
In all of his films Nicolas Roeg shows what happens when characters from different cultures intersect. From Performance (gangster meets rock star) to Walkabout (abandoned white children saved by Aborigine on his walkabout) to The Man Who Fell to Earth (alien crashing on Earth needs to return to his home planet) this intersection forms the core dramatic element of his films.
Nicolas Roeg began as a cameraman, working for such masters as Francois Truffaut and David Lean. His explosive debut as a director with Performance established an approach to film-making that was unconventional and ever-changing, creating works such as Don’t Look Now, The Man Who Fell to Earth, Bad Timing, Insignificance, and, more recently, Puffball.
Nicolas Roeg: ‘I don’t want to be ahead of my time’
Once audiences make sense of his work, Nicolas Roeg has usually moved on. As the film world rushes to canonize him, he tells Ryan Gilbey about the curse of bad timing
“I’m doing installation pieces and I don’t even want to be credited.” Roeg said.
In all of his films Nicolas Roeg shows what happens when characters from different cultures intersect. From Performance (gangster meets rock star) to Walkabout (abandoned white children saved by Aborigine on his walkabout) to The Man Who Fell to Earth (alien crashing on Earth needs to return to his home planet) this intersection forms the core dramatic element of his films.
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